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Asimina explains. Image of Sharon Koelblinger, 2013; Recorded during the the wounded body in the performance , a series curated by Marissa Peel in the Vox Populi Gallery in Philadelphia.
My GrantWriting service helps individual artists and artist LED non-profits that articulate their work in Grantmakers. I also help customers to navigate the structures of cultural financing. Past and current customers tens the land of Philadelphia, NYC and Camden NJ to Chicago Il and Oakland about as a child I spent time with family members and friends who speak English as second or third language; I have an intuitive handle to help non-local English speakers to formulate their ideas for Americans English-speaking readers.
Previous to start my independent business, I worked to support artistic and cultural activities through various positions with institutions, organizations and non-profit large and small knowledge of editorial processes, communications, GrantMaker's interests and creative organizational strategies. My earlier employers include the Pew Center for Art & Heritage, Time Out Chicago Magazine, and the Chicago Non-Profit Experimental Left Hall.
My main driver at work on the grants is to find the unique orientation between the priorities of the GrantMaker and their specific vision. I have grants and Lois for projects and general operational support of William Penn Foundation, Philadelphia Cultural Fund, Composer, Nea and Neh, New England Foundation for Art, Creativity Capital, Card Fund, Dryhaus Foundation, Graham Foundation, Meeting, Joyce Foundation, Chicago Department of Cultural Affairs, Philadelphia Kulturfonds, Elizabeth Morse Non-Profit Trust, Pew Center for Art & Heritage, Puffin Foundation and others. I have also written a series of lessons (artist-centered Grantwiriting) are available to the individual artists who can do themselves or with my support. I have introduced this approach to make the graduate and the Bachelor's dance and art students at the Temple University and the Moore College of Art of Art.
" Asimina facilitates a clear articulation of these ideas that may be difficult to seem hard or intangible; it understands the mind and the artist's process. Your support and thoughtfulness are clear and right in invaluable value in invaluable value in invaluable value. "
-Lah stone, choreographer, Philadelphia PA
"In cooperation with Asimina I was aware that I worked with an artist himself, as it has incredible empathy and understanding of experience to translate experiences and ideas into text form. Asimina is a massive understanding of the Art world, the artistic process and artist as a person, and these three facets are all required when it is made of material that is actually readable and understandable for the many required contexts. Asimina has one Notable ability to listen to, listening, clarify, and then to write to the grade and clearly to write and describe. Your writing style is a simplicity and an arranged narratitive style, without any reductionism, what remarkable and unique. I recommend very, asiminas services for many and all to recommend, and are glowing to your contacts to colleagues and friends. "
- Margit Galanter, Movement Education / Arts Investigator / Tanzgeher, Oakland CA
" that was a more fun process when I feared it!"
-audrey Chen, sound artist / composer / musician, Berlin Germany
"I wanted to tell you that your help has received my first scholarship !! and, however, express my extreme gratitude on your services in the dance community. The Grant writing is very rarely spoken that I really lost Started program and use your services.I shrieked that it was granted aimlessly over a year, and without a sense of direction. Your program has really helped with my self-esteem to be an administrator of my own work and showed me an organized and clear path how to request funds and be a strong proponent for my choreography. "
-amanda ramirez, choreographer / performer, chicago il
" asimina is the best coupon writer we have ever worked with. she is extremely clear and honest with her writing , She will deliver early a very written subsidy proposal. She honors the artist respectfully, reorganizes everything well and is very affordable. "
- Olivier Tarpaga, co-artistic director of the Baker & Tarpaga dance project, USA-Burkina Faso
"Thanks to the expert help of Asimina, I have a subsidy from the nea! "
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"Asimina helped me with over a dozen personal attachments / statements for top ranking graduate schools. she was extremely fast to answer with enrollment comments, excellent editing, Everything for a remarkably affordable rate. I recommend her as a writing adviser. "
-arcel Williams Foster, Public Health Dountraphier, Emory University
"Asimina answered me very quickly and came back immediately with her work. Your service was personal, and you took my points thoroughly and needed to prepare for a visit to a visit to a visit. Position at a college. I became confident that the readers would understand my ideas much better. "
- - -Aayako Kato, choreographer and curator, Chicago IL
" works with asimina makes the difficult subsidy process of the grant, which writes a creative strive that remains in conversations with the artwork itself. My company has received new and increased funding since the cooperation with your new and increased funding. "
- Rachel Damon, Director of Synapse Arts, Chicago IL
" as a foreigner who does not speak English as a mother tongue, it is extremely important to write understandable, clear, strong english to push my artists more. Many Grant authors have helped me so far, but especially Asimina did a wonderful job in their rapid reaction, the affordable rate and quality letter that was great support for my application process. Even in the frequent , Intensive Final Brush-up, she was happy whenever she was available. "
- Kenaku Shinohara, independent dancer / choreographer
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